inspired by the earth
born from multicultural generations of creativity
"in the labyrinthine streets of Mexico, Akasha's tale begins, woven from the threads of a humble artisan's free spirit. with hands guided by passion, a wild craftsman fashioned jewels of silver over velvet covered tar, each stroke a whispered ode to the soul of the earth.
then, from the distant lands of South Africa, a flame-bearing soul journeyed forth, carrying with her more than mere gems. with her arrival, streets transformed into sanctuaries, stalls into stores, and dreams into boutique realities. together, humility and passion danced in harmony, birthing a legacy of vibrant allure, embodied in the essence of Akasha.
thus, from the tender embrace of tradition and the fierce blaze of innovation, a new dynasty emerged, nurtured by the dreams of ancestors and the aspirations of progeny. in the realm of elegance and artistry, Akasha, a testament to the enduring legacy of love, perseverance, and the timeless beauty of Lapis Lazuli."
each piece, a unique work of art
historically, in many societies where women did not have equal rights to property ownership or economic independence, jewellery served as a form of portable wealth and security. since women often didn't have access to owning land or managing finances, they would invest in jewellery as a means of safeguarding their wealth. jewellery could be easily transported, exchanged, or sold in times of need, providing women with a measure of financial autonomy within the constraints of their societal roles. this practice was particularly prevalent in cultures where inheritance laws favored male descendants or where women's economic opportunities were limited.
natural beauty with sustainability as motivation
they convinced me
i only had a few good years left
before i was replaced by a girl younger than me
as though men yield power with age
but women grow into irrelevance
they can keep their lies
for i have just gotten started
i feel as though i just left the womb
my twenties are the warm-up
for what i’m really about to do
wait till you see me in my thirties
now that will be a proper introduction
to the nasty. wild. woman in me.
how can i leave before the party’s started
rehearsals begin at forty
i ripen with age
i do not come with an expiration date
and now
for the main event
curtains up at fifty
let’s begin the show
- Rupi Kaur
